Verdi Requiem at the KKL Luzern: Experience the moving choral work of the Orchestra Filarmonica Italiana and the Coro dell'Opera di Parma under Manfred Obrecht.
Verdi Requiem at the KKL Luzern: Experience the moving choral work of the Orchestra Filarmonica Italiana and the Coro dell'Opera di Parma under Manfred Obrecht.
Verdi Requiem at the KKL Luzern: Experience the moving choral work of the Orchestra Filarmonica Italiana and the Coro dell'Opera di Parma under Manfred Obrecht.
Verdi Requiem at the KKL Luzern: Experience the moving choral work of the Orchestra Filarmonica Italiana and the Coro dell'Opera di Parma under Manfred Obrecht.
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Event Information
Verdi Requiem Orchestra Filarmonica Italiana Coro dell'Opera di Parma Manfred Obrecht, conductor Ekaterina Bakanova, soprano Ulrike Malotta, mezzo-soprano Riccardo Della Sciucca, tenor Marian Pop, Bass Massimo Fiocchi Malaspina, rehearsal choir
Verdi Requiem, the spectacular choral work at KKL Luzern
The name Giuseppe Verdi will forever be associated first and foremost with the opera "Aida". But his setting of the text of the requiem mass, the "Messa da Requiem" from 1874, is no less impressive and poignant. The Requiem walks the line between opera and sacred work. Giuseppe Verdi succeeded in an unprecedented way in transforming the drama of the text into musical soundscapes that captivate and enthral the audience. It is not for nothing that "Messa da Requiem", together with Beethoven's "Missa solemnis", is considered the absolute pinnacle of religious music of the 19th century.
PROGRAM Giuseppe Verdi - Messa da Requiem for soloists, choir and orchestra Requiem Dies irea Offertorio Sanctus Agnus Dei Lux aeterna Libera me
Programme subject to change without notice
Translated with DeepL
Orchestra Filarmonica Italiana FanReport: Ratings and Reviews
Das Orchester war sehr gut, der Chor hat mir zu wuchtig und ohne Emotionen gesungen. Ganz allgemein hat dieses Konzert nicht berührt. Auch die Solisten nicht.
Event gut, aber Höhenangst
LUZERN, KKL Luzern, 18.03.2017
Bei der Platzauswahl war nicht klar ersichtlich, dass wir für diesen Preis im vierten Stock landen würden. Der fantastischen Sängerin und dem ebensolchen Orchester ging nichts von der Qualität ab, aber die Chöre wäre unten wohl besser zu hören gewesen. Schlimm waren die ungenügend hohen Balkonschranken, viele um uns herum in der ersten Reihe hatten Höhenangst wie ich.
Das Orchestra Filarmonica Italiana hat mit seinen Interpretationen der schönsten Chören aus der italienischen Opernwelt begeistert. Die jungen Musiker sind wirklich grosse klasse und ich finde die Literaturauswahl bei den Konzerten von ObrassoConcerts super.
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